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Review: The Rocket

Ken Korman on the Australian crowd-pleaser playing at Chalmette Movies



Australia's official submission to this year's Oscars, The Rocket balances social realism with the kind of feel-good storytelling that used to make Hollywood proud. Shot on location in Laos and featuring Laotian actors, Aussie director Kim Mordaunt's film arrives at a landscape ravaged by the Vietnam War and the current needs of industry. Preteen Ahlo and his extended family must leave their soon-to-be-flooded village due to the construction of a massive, electricity-producing dam. Ahlo is further burdened by superstition that says he's cursed by the unfortunate circumstances of his birth.

A road movie evolves as the family searches for an acceptable place to live, all while avoiding the live explosives that remain from Laos' time as the most heavily bombed country in history. The family is joined by displaced orphan Kia and her uncle Purple, a James Brown fan and lookalike who gets his name from the loud suit he wears each day while threatening to burst into soul-drenched song and dance.

The Rocket becomes like a fable as the plot hurtles toward possible redemption for Ahlo in the form of a Rocket Festival, a real-life Laotian phenomenon in which participants return metaphorical fire to the heavens with homemade rockets in a cash-prize competition. (Mordaunt discovered Rocket Festivals while filming a documentary called Bomb Harvest, and he returned to a real festival to shoot The Rocket's finale.) The child actors do a remarkable job pulling us into the story. Their characters (and others) may be familiar, and there's something deeply traditional about the entire film — even with its exotic locale and politically charged context. But who says foreign films can't be crowd-pleasers too? The New Orleans Film Society co-sponsors this screening at Chalmette Movies.

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