Marie Antoinette and her Executioner by Susan Bowers.
Most modern art galleries are tidy, well-lighted spaces. Sometimes referred to as "white cubes," they show art in orderly arrangements that contrast with the messy processes that occur in the studios where artwork is made. But in the experimental galleries on St. Claude Avenue, where artists often hang their own shows, the lines between studio and gallery are sometimes blurred. At The Front, Maria Levitsky's large black-and-white prints of architectural subjects are pristinely presented at the outset, but the next room can be disconcerting as similar subject matter appears in strategically cluttered arrangements that evoke the contents of an obsessive photographer's attic, or maybe afterimages stashed in the back of the brain. Most compositions are boldly abstract, sometimes featuring montages that highlight the underlying geometry of urban environments in ironic ways, but some are presented like oversize snapshots with serrated edges, or interspersed with boxes of old camera parts and other ephemera that highlight the nature of photographs as ongoing processes of perception rather than as static, or precious, objects.
Susan Bowers' Modern Swamp
expo at Barrister's Gallery lives up to its name. A kind of melange of clay sculpture, paintings and photographs, the show suggests assortments of colored clay and pigments that took on a life of their own in the swampy backwaters of the subconscious. Some gothic, Anti-Oedipus Heads
oozing weird colored glazes from their eyes and accompanied by plates of food rendered in clay are especially spooky — as is Marie Antoinette and her Executioner
(pictured), in which two severed heads appear in loopy, carnivalesque colors surrounded by hallucinatory ceramic slices of cake. The heads recall Belgian artist James Ensor's proto-expressionist mask paintings while the pastry dishes evoke Claes Oldenburg's oozy-woozy food sculptures, but the results are pure Bowers, an ultra-low-key artist whose quietly intense labors over the years have been consistently startling and worthy of greater recognition.
Through Sept. 6
Lightfall/For Display Only
: photography by Maria Levitsky
, 4100 St. Claude Ave., (504) 383-4075
Through Sept. 3
: ceramic sculpture, paintings and photography by Susan Bowers
, 2331 St. Claude Ave., (504) 710-4506